Thoughts:
Irresistible is director Ann Turner’s last film and it's been almost
20 years. As a bit of melodrama featuring top tier actors I found it engaging
but a bit quick in its cutting. Letting that slide though, the film is
absolutely delicious.
Successful housewife and artist Sophie (Susan Sarandon)
spends her day taking care of her two preteen daughters and working on
paintings, currently fretting over a new project that involves artists painting
works based on their personal trauma. Right from the opening as we see Sophie
going about her day, seemingly innocuous moments take on malevolent forms, and
she is shown to be a highly neurotic and nervous person with a penchant for
mental construction. In comes the stunning Mara (Emily Blunt), the slinky and
suggestive coworker significantly reducing the burden of her busy husband Craig
(Sam Neill). As the two families draw closer together, Sophie becomes convinced
that Mara is trying to steal her man, and not only that, but her personal
photos and clothing, her way of life and inevitably her actual life. Who is
Mara and is Sophie really losing her mind?
The direction quickly draws you in, using camera angles and
pacing to maintain a sense of unease, as the film rocks forward like a child's
seesaw on ice. Susan Sarandon looks ******* incredible and plays the part to
perfection, with every nervous twitch and manic outburst flowing out from her
beautiful frame. She's only improved by a young and tremendously sultry Emily
Blunt, and when the both of them are playing off each other sparks fly. Sam Neill provides a solid rock of empathy and
anger, pushing things forward as the beleaguered every man stuck between these
two women and the difficult choices that come with protecting your family and
following a lead. Of course mistakes are made, but as the film barrels towards
its conclusion, things only improve and you're ultimately left with a final
shot that clinches the whole thing together like a picnic lunch filled with
chilled wine and delicious cheeses.
That being said, some rapid cuts, notably during the trial feel like whiplash and you have to take a moment to realign. It doesn't take away much, but the film suffers because of it.
I look forward to watching it again, hopefully in one
sitting next time.
6/10