30 October 2024

Film: Civil War (2023)

Thoughts: Phew, a lot of big thoughts. I find myself rolling back through the scenes, from the ending, piece by piece, unpacking the scenes.

The president's final quote: please don't kill me. Just prior, so many innocents killed, killing, waste after waste. Standing for what?

It is a very American war. Uniquely American. Fed by and portraying strange thought processes and standards, ways of living. There is no mention of God, no religious bent or undertone, aside from the god of Capitalism. Possession and ownership, who you are and how you identify in this fractured nation.

I noticed Jesse Plemons is uncredited as the patriot mass grave soldier. Interesting.

The film is a Devs reunion, with Cailee Spaeny, Sonoya Mizuno, Nick Offerman, Jin Ha, Stephen McKinley Henderson. Karl Glusman..... after doing my due diligence I just realized how many there are. So many. Way more than I realized. I have chills right now. I've almost finished a Devs rewatch.


29 October 2024

Film: Godzilla x Kong: The New Empire (2024)

Thoughts: An interesting lack of scale starts to kick in when a film franchise tries to place its vast characters into ever vaster vistas. There is no direction left to go: Fast & Furious ended up in space (I predicted five movies previous) as did Jason, and unfortunately for Kaiju, when their only trademark is being giant versions of primitive animals, expanding only results in the underwhelming experience of smashing action figures together.

Apex predators colliding on land, in the sea, through historical landmarks and eventually towns seems to have lost its impact in this continuation. There's just too many large animals going toe to toe. I started to notice the small details just weren't carrying the weight of these tremendous figures: dirt, water, stones should be the same size as they are to us, just ripped up with each step in gargantuan amounts. This seems to have been lost, so the characters don't create as much destruction just by existing.

That being said, as the film roared on, I found my enjoyment steadily rising. The cast are fine and fun, and the locations colourful and exciting. I am a fan of Dan Stevens, and it was great to see him act the hippie fool. Adam Wingard continues to gain muscle as a director. I noticed some strange fish eye lensing in the hollow earth scenes, I don't know what that was about. Altogether though, I did enjoy it.

6/10




26 October 2024

Film Rewatch: Star Wars: Episode I - The Phantom Menace (1999)

 Thoughts: My late step-father used to watch the pod race scene often for its spectacle and sound. He would vibrate the walls until the windows shook. My mother reminded me of this during the scene as we rewatched.

The relationship between my mother and her second husband was a difficult one for me. All I ever got to see was the down sides. While working with my mother for a few years as her cleaning assistant, I was forced to listen to all the negative elements of their relationship, and of his rapid onset dementia- if a several year downfall is considered rapid. I didn't see much of him in those final years, despite living ten minutes down the road. I did try to create a pathway into helping the man, but the level of animosity he harboured for my mother, cultivated over their twenty year relationship, was terrifyingly pervasive, tainting every conversation and thought. When his wife would appear, it would crash like a wave into the open, and the two of them would exchange verbal venom: his overflowing with attacks on her actions built on so much perceived oppression; hers formed from exhausted verbal and physical abuse and responses to the criticism.

My mother lives with me now, in the house her and my step-father purchased as an investment property. Towards the end, during one of the many conversations about Keith's current demented actions and the trudge through the public health care system, I openly announced my opinion that he needs to just die. I had held this mindset for some time, and as the years wore on during my time working with my mother, I had become less and less wary of stating my true feelings and thoughts on the subject, less evasive and supportive and instead opting for exhausted personal observations. I explained how I only saw and heard what was presented, and that it was all negative. That the physical and mental abuse she suffered was unconscionable and that she should not be there. That her own actions had to be a part of the whole tapestry, and that the whole relationship was fraught, combative, toxic. All of this was based on the picture I had been painted. Dialling back from this conversation, I recall seeing him for the last time, still mostly present before the dementia fully took hold, was a frightfully clear picture of just how twisted the whole thing had become. When I received a tearful, hysterical phone call a few weeks on seeking my presence to come and figure out how to tell Keith that his beloved dog had been put down, without telling him the dog had been put down, I was open about how fucked up it all seemed.

I did go over, and I did attempt to assist. However the minute I walked into the home, my mother walked out and I was left with this pathetically enraged man, spewing bile about Leverne's lies and many statements about her character. He did not know where the dog was, demanded answers. My mother was not being clear. Leverne had told me that she couldn't deal with it, that I needed to work it out. I took one look at the situation, left the building, told my mother she needed to front up and tell him what happened. I called my brother in an attempt to grasp the situation, and to pull more family into this twisted knot, as opposed to figuring it out myself. She turned to ice, went in and told Keith the truth in a very unclear and roundabout way. All ways of conversing that do not work for dementia sufferers, a note I had made open countless times before. The situation circled around and around: hate and blame and distrust and deflection spinning between the two parties. 

He deteriorated, was in hospital for months and months, became a hostile, violent, stubborn dementia patient, moved into a home for a short period after a lengthy NDIS claim, and passed away soon after. His ashes remained with my mother for several years, moving from his own home to the investment property, residing under my mother's bed. I envisioned several different horror scenarios, some of which I think hold serious weight for a story. My mother has become a better person now: clearer, more self-assured, prosperous, functional, caring. I however, continue to be the same misanthropic self-defeating half-finished flake.

The Phantom Menace I've always enjoyed, and despite its flaws it holds well in the memory with its iconic moments and robust score. The collage of visual elements and scene structures seem to lodge themselves into the brain far more than its two sequels- perhaps the sign of how the three films were imagined in the mind of the creator. Open strong, carry the story through. We didn't watch it as loud as I could have.

3.5/5






23 October 2024

Mummies (2023)

Thoughts: I didn't realise it was a musical until the princess started singing!

OK it's not REALLY a musical, but she was singing about her predicament (being stuck in an eternal underworld where nothing ever changes) and everyone around her took it in stride. That's a musical! And, aside from gatecrashing a British stage production of Aida, and then producing a #1 hit record, those are the only musical elements.

Both of those songs also involved her singing about her current state. So it IS a musical! 🤔

There's a cute animal sidekick, and the lead male Tut is not a particularly endearing character: a retired charioteer with a fear of speed inherited from his final race, constantly defending his ego and physically disrupting female lead Nefer's actions. The film spends an unfortunately significant portion on this guy, as opposed to the far more interesting Nefer, aching to break free of her rigid future structure. That being said, the film itself is a basic trot through the conventions of initial hate to budding romance, avoiding fate, bumbling villains saddled with arrested development and delusions of power. The kids like it, the dialogue makes for a somewhat engaging watch, and the baby crocodile sidekick is fun to watch and listen to.

The film was produced by a variety of Spanish production companies, and the quality of the animation is passable, sometimes enjoyable, mostly around the movements and facial expressions of the two leads. Some of the comedic moments hit, and overall it's not a bad sit.


2.5/5